Saturday, March 27, 2010

Madness: Tickets get costlier as movie chains seek to cash in on consumers' willingness to pay more for 3-D

Major U.S. movie-theater chains, seeking to accelerate the surge in revenues fueled by such 3-D hits as "Avatar" and "Alice in Wonderland," are imposing some of the steepest increases in ticket prices in at least a decade.

The new prices take effect Friday in many markets across the country in theaters owned by such major exhibitors as Regal Entertainment Group, Cinemark Holdings Inc. and AMC Entertainment Inc.

The increases, in one case as much as 26%, vary from theater to theater, but many cinemas are raising prices most—or even solely—for 3-D showings, which accounted for the vast majority of last year's 10% jump in domestic box-office sales. 3-D movies generated 11% of domestic ticket sales in 2009, up from just 2% in 2008.

At an AMC theater in Danvers, Mass., a Boston suburb, 3-D ticket prices are jumping more than 20% to $17.50 from $14.50, while the adult admission price for a conventional film will remain at $10.50. At one Seattle multiplex, adult admission is rising to $11 from $10 for a conventional film, to $15 from $13.50 for a regular 3-D showing and to $17 from $15 for Imax 3-D.

A 3-D Imax movie at New York City's AMC Loews Kips Bay will cost $19.50, up from $16.50.

The increases weren't announced by the theater operators, but were reflected in prices posted Wednesday on movie-ticketing Web sites, such as Fandango.com.

AMC and Cinemark declined to comment. Comment from Regal wasn't immediately available.

The industry's move comes on the heels of a record-setting year at the domestic box office, with revenue surpassing $10 billion for the first time. Movie attendance in the U.S. and Canada grew 5.5% in 2009, with 1.42 billion tickets sold, the most since 2004. Ticket sales so far this year are running 10% higher.

Movie theaters typically charged $2 to $3 extra for 3-D movies. But the brisk demand for the premium-priced tickets led many exhibitors to conclude they were still underpriced. About 83% of the record $2.6 billion in ticket sales for "Avatar" came from 3-D and Imax screens. And Walt Disney Co.'s "Alice in Wonderland" also set records when it hit 3-D screens earlier this month.

While the new prices could boost theater owners' already buoyant revenues, some industry watchers think they could also spark a consumer backlash. Studios, theater operators, and trade groups have long touted films as a bargain, compared with other forms of entertainment. A decade ago, the average ticket at a multiplex was $5.39, but prices have edged up between 2.7% and 6.1% a year since then, according to the Motion Picture Association of America.

"The U.S. economy isn't in the greatest shape, and there is definitely risk here in pushing price too far in a weak economy," said Richard Greenfield, a media analyst at BTIG LLC, who issued a research report Wednesday on the price hikes.

Mr. Greenfield said the next month will serve as a test of the strategy. "We'll have a sense if there is any pushback" from moviegoers, he said.

Some movie-studio executives expressed concern that the price increases might be too much too soon. "The risk we run is that we will no longer be the value proposition that we as an industry have prided ourselves on," said a distribution executive at one major studio.

Other studio executives agreed that the move was risky, but some, like Dan Fellman, president of domestic distribution for Time Warner Inc.'s Warner Bros., expressed support. "The exhibitors are trying to push the needle on ticket prices and see where it ends up," Mr. Fellman said. "So far charging a $3 or $4 premium has had no effect on consumers whatsoever, so I'm in favor of this experiment to raise prices even more. There may be additional revenue to earn here."

Studios are also in a bind. While many are wary of appearing to gouge consumers, they are also facing higher costs as they produce more movies in the technology-heavy 3-D format. Though ticket prices are set by theater operators, the proceeds are split roughly 50-50 with movie studios.

Five major 3-D films are opening in theaters over the next three months, starting this weekend with DreamWorks Animation SKG Inc.'s "How to Train Your Dragon." That rich selection is one reason theater owners chose to raise 3-D ticket prices now. It may also help set consumers' expectations for future 3- films.

Imax 3-D tickets to "Dragon" are expected to cost an average $1, or 7%, more than Imax tickets to Disney's "A Christmas Carol," the last children's film to open in the format, just a few months ago.

In his report, Mr. Greenfield said one of the biggest price increases was at an AMC theater in Boston, where a child's 3-D Imax ticket will cost $14.50, up from $11.50. In the 10 markets he surveyed, adult tickets to conventional 2-D films were set to rise by an average of 4%, beginning this weekend.

Price increases on 3-D movies are at least twice as steep, he said, with average adult admission prices rising 8% for 3-D movies and nearly 10% for movies on Imax screens. Source


The Good, the Bad, the Weird

Finally a film we are excited about this year!

Thursday, March 4, 2010

Chinese Writer Plans To Sue Avatar Director


Avatar director James Cameron is facing a possible £97m lawsuit from a Beijing author who claims the script of the blockbuster sci-fi epic was lifted from his novel.

Zhou Shaomou told the China Daily he spent seven years writing the 1.2 million word book.

"Eighty percent of the plot and the key elements of Avatar are similar to my 1997 science fiction novel Tale Of The Blue Crows," said Zhou.

It tells the story of an epic journey taken by six astronauts to a distant planet which is home to a race of blue-skinned beings.

"I wrote in my novel that their space journey took them six years but in Cameron's movie the journey takes them five years nine months and 22 days," he says.

"I was shocked when I first saw that. It is too close."

Zhou thought there was no market for his novel and signed a contract to have it published online.

He says the £97m he is seeking is for breach of copyright.

"I realise that no one knows me in China but I insist on fighting for my copyright," he told Sky News.

"Over ten million people have read my book over the internet."

And Zhou's legal battles are only just beginning. Two Chinese courts have refused to allow him to submit his lawsuit.

"Nobody was supportive and many asked why someone as famous as Cameron would copy an obscure work from a little-known author," said Zhou.

"I really wanted to argue back 'why not?'.

Yang Huipeng, a Beijing lawyer, said Zhou would have better luck filing his lawsuit abroad.

"He has two options but it is better to sue in America because if the lawsuit is handled in China and James Cameron or his representatives do not come to court then the judgement is unlikely to have much effect," Yang told the China Daily.

This is not the first time the Canadian-born director has faced allegations of plagiarism.

He was previously accused by sci-fi writer Harland Ellison over the film Terminator.

Cameron negotiated and settled out of court.

Source

Another blow:The makers of The Hurt Locker have been hit by a multi-million dollar lawsuit from an American soldier who claims he was the inspiration

Master Sgt Jeffrey Sarver claims the character Will James was based on his life
Master Sgt Jeffrey Sarver filed papers in a US district court in New Jersey which allege that "The Hurt Locker motion picture and DVD are nothing more than an exploitation of a real life honorable, courageous and long-serving member of our armed forces, by greedy multi-billion dollar 'entertainment' corporations".
Sgt Sarver says journalist Mark Boal, who wrote the screenplay for the film after being embedded with a US Army unit in Iraq, based the film's main character on his life but lied by claiming the character was fictional.
The bomb disposal expert's lawyer Geoffrey Fieger said: "They literally transposed his life in the film and then claimed it was a work of fiction.
"The only fiction was the claim it was a work of fiction.
"The screenplay says he is a blonde, blue-eyed trailer trash from Tennessee, but he's blonde, blue-eyed and grew up in a trailer in West Virginia.
"Nobody can claim with a straight face that it's not Jeff Sarver."


Sgt Sarver, who wants the opening credits to list him as the basis for the character Will James, says that Boal was with his bomb disposal unit when he was commissioned to write an article for Playboy magazine in 2005 that led to the Hurt Locker screenplay.
He claims that he spoke at length with Boal and that he coined the phrase "the hurt locker".
Among those named in the suit are Boal, director Kathryn Bigelow and distributor Summit Entertainment.
I've seen the same group of Academy voters attending lunches after lunches, nominally hosted by a neutral director, but effectively a platform for the nominated star and their movie."
Journalist Pete Hammond on lobbying for The Hurt Locker
The case comes as a second blow in consecutive days to the film, which is nominated for nine Oscars this weekend, after an email from producer Nicholas Chartier to Academy voters urging them not to vote for Avatar was leaked to the press.
Attempting to sway voters by disparaging a rival film is strictly against Academy rules and he has been banned from attending the ceremony as a sanction.

Source

Wednesday, March 3, 2010